TABLE: Screenplay was the name of the floral design class I entered in the Philadelphia Flower Show. These classes were staged on a platform 8’ wide x 4’ deep x 4” high, set in the ubiquitous flower show ‘mulch’ with a Belgian block edging. In fact the ‘platforms’ are contiguous with about 3’ between them. Although the design is judged from the front, the design is on a ‘island’ clearly seen from both sides, and better lit from the ‘back’. A white table from IKEA, 49” long x 29” h x 29” w, was supplied by the show. The TABLE theme varied each day: TABLE: Dressing Room for an actor or actress; TABLE: Oscar Party actor, actress or movie; TABLE: It’s a Wrap wrap-up party for movie, and TABLE: Screenplay, movie.
Whether the judges receive the movie titles ahead of time or not (in Philadelphia, not), I always believe that the title one chooses should speak for itself. Nothing tricky or obscure for a judge who couldn’t, because they weren’t told, do their homework. I chose the glorious “Raise the Red Lantern”, 1991, a Chinese movie of great visual beauty set in a remote aristocratic strife-filled household in the 1920’s. For my purposes, the title said it all.
In “Steal Away” (Archives Feb 2015), I discussed taking designs and reworking them. In this instance, my idea was to combine two successful designs into a new design, well maybe new-ish! The first design idea was my table at the 2011 WAFA Show in a class called “Painting”. Happily, the table in that class was supplied in black. (Thanks, Gail)
That table idea would be combined with aspects of my 2013 design in Philadelphia in “SUPERALIFRAGILISTICEXPIALIDOCIOUS”, using Harry Lauder Walking Stick and kiwi vine instead of the purple painted willow framework.
It was always my intention NOT to use red lanterns. All the red, red, red would be the branches, flowers and foliage of the floral design. The class description says arrangement and accessories. The lanterns were made from chicken wire cylinders, covered with an open work artist paper, and trimmed with foam core and midolino sticks. And yes, that paper was blue, eventually sprayed black.
Using a series of black iron stands (originally from Pier One – fifteen or more years ago, hoarded as never seen since), I started to work out a diagonal path across the table space which was outlined in tape. I began with 5 lanterns, and eventually settled on 3, making them shorter as I went along. The center stand was a tall, more rigid affair of heavy iron with a lantern wedged over it.
At the show, a lot of time was spent getting the black felt cloth runners evenly on the slippery table and hiding the white legs – thanks ladies for the pins!!! The branched structure was sprayed cadmium red, a great Liquitex acrylic color (no fumes). It was cabled to the stand, center front and back. A lump (technical term) of Oasis was wrapped in some Press n Seal at the base, set on the structure, and then held in place with a wrap of black clematis wire, placed over Oasis and zip-tied (barely visible top and bottom before being tied), . In the end, I had to cut away some of the Press n Seal as it showed too much but it kept water from dripping on the cloth.
Second Place: “Schindler’s List”. Prunella – I was too busy to see it happen, but the table legs were wrapped in black cast bandaging – very clever idea! Made it very smooth and sleek. I didn’t see it come off again for the next designer so I don’t know if it leaves a residue.
Let me tell you I got a little worried when I saw all those chairs and the floor showing up, who knew?? Plant materials: Obake and red anthuriums, bronze New Zealand flax, James Storie and Mokara Orchids, galax, Leucodendron ‘Safari Sunset’, kiwi vine, Harry Lauder Walking Stick.